Artist Residency Reviews

Fantastic experience, both from the point of view of the relationships built and the project path, for which I received advice and assistance. The locals are special people as is Alice, the curator.

OSGF is the perfect place for a botanical immersion.

I recommend this experience for all artists who love working in direct contact with nature, in a place that offers landscape opportunities and excursions into the mountains.

The Studios of Key West is a great place for artists to focus on their work. It’s a one-month residency in a fully renovated house in the historic part of Key West. I have only great experiences, and I would love to come back. They don’t provide meals or a supplies stipend. But they give a warm atmosphere and supportive environment.

The location in Savannah, GA was very nice, it's a unique town that was fun to experience for an extended time. Small, quiet apartment with minimal furnishings and kitchen supplies made for a comfortable stay. The people who run the program are hands-off and leave you to work on your project with minimal oversight. Be prepared as the title suggests, the studio space is very much in full display for outside passing crowds. It is a tight space with little to no access to tools and other supplies. Bring most anything you need for your work. There are art supply stores down the street.

The residency is nestled in the woods, so expect some insects inside your studio/cabin. Wildlife is also in the area, which is wonderful but may be intimidating to some.

The residency gave me the opportunity to know different artistic practices and a very different environmental way of life surrounded by nature in a historical farm and garden. The opportunity to spend all my time painting with live plants was really great.

The administrative staff was so unbelievably friendly and accommodating. I felt immediately integrated into the international community there. It was a perfect balance of public and private engagement. The location can't be beat. My experience there is something I'll treasure forever.

The housing they provided was exceptional. The workspace itself could have used AC during the summer months. Siena is lovely but quiet. This is not for urban folk who want an ever-changing atmosphere. But if your work is related to peace and quiet or the Tuscan countryside, go for it.

I was able to work at any time of day in a very cool barn studio. I wanted my project to be very self-directed, but the staff made themselves available for any assistance I or other residents needed. Valuable studio visits from very different people. Truly beautiful setting and community building through sharing a home with other creatives.

The benefits are fantastic location, walkability to all cultural sites, green spaces, private and quiet with an amazing private permaculture garden on site. The art and architecture are beyond spectacular—a medieval time capsule. Staff and faculty are really friendly and helpful, orienting me to the town when first arriving, including me in field trips with current abroad program students, providing a generous handbook as well as in-person suggestions on what to see where and when, support for doing a site-specific project, respecting the artist's privacy but also extending invitations to meals and tea from time to time. My partner came with me which was a bonus. We cooked a lot, produce is good—and Conad (the supermarket) is walkable and affordable. The studio space was located right next to the studio apartment in the institute's main building which was provided by the residency so I could work at any time day or night—very functional and comfortable. Challenges were around knowing I would need to bring minimal supplies with me, and respond locally to resources as needed which I was able to figure out. I was amazed at how much work I generated, discrete works, public work, gave a lecture which was well publicized and recorded, participated in a project critique with current students, amongst other things. My studio visit with artist/curator/faculty Bernardo Giorgi was meaningful conceptually and in terms of implementing a project while there and the feeling that more ideas could be explored in the future. Conversations with the Director Mariam Grotanelli about art and education were really substantive and I appreciated her vision and support. Faculty/Staff Lisa Nonken was so thoughtful and helpful throughout and Jackie Tune, faculty really extended herself to us socially including hosting us for a meal and hike around her home. We were able to travel on weekends to the International Art Fair Bologna, Certaldo to La Meridiana, Assisi, etc. We also spent time in Florence on either end of our time in Italy. We were able to use frequent flyer miles to travel from the US to Europe. Once there, flights to Florence and then train to Siena are financially reasonable. So much to say. One month went fast. Mind blown, so inspiring, unforgettable. I would go back!

I attended summer 2021, still deep in pandemic restrictions, so public/community engagement and support could not be available to me. It is/was still very much an unbelievable experience for me, since I went to work while in proximity to, conversation with, and reverence of Sienese painting. I’m sure now there is more community interaction, but to me it is a quiet, independent work-centered residency with the gifts of Tuscany for you to absorb.

Beaumont provided a beautiful backdrop to indulge in art. The tranquility of provincial life and quiet pace was refreshing. Although La Maison de Beaumont was isolating at times. The rural location made accessing neighbouring towns / supermarkets and supply stores challenging. A lack of public transport and support on site made the experience very solitary. I’d advise having your own transport. Purchasing art supplies and groceries before arriving at the residency. Having a clear outline of work you’d like to engage in as the residency is without structure / both a positive and a negative depending on your expectations!

I had an incredible experience in residency with Arquetopia! I received a weekly syllabus that pushed and deepened my artistic praxis in new directions. I also had 24 hour access to studio space and complete freedom to create and explore at my own pace. In addition to the sense of satisfaction and connectedness my residency left me with, Arquetopia also served as the jumping off point for my career as an exhibiting artist globally! The exposure that I received through Arquetopia made it possible for me to show a solo exhibition at the Florence Biennale XIV, and put me on the radar of gallerists in Italy, London, and New York. Although the residency is decently expensive, and I would recommend planning to buy groceries for breakfast and lunch (dinner is provided), I felt the experience was beyond worth the cost!! Working with, and learning from the Arquetopia team has definitely pushed my practice in exciting directions.

The residency was a great experience for me, and I'd love to do it again! I could have used some more support during the residency to get community involvement and/or more promotion, or participated in the residency for 2-3 months to really allow the project to gain momentum. One month goes by really quickly! It's a great residency program; plan ahead to make sure you get the most out of your time there and in Savannah. If you can get in and attend the First Friday event before you start, it will help you get acclimated and meet people and many artists working in the studios. Having a place to stay, a place to work, and the support of the residency is fantastic—I've recommended this residency to several artist friends.

Benefits, rigorous reading and lively and honest discussions. Readings were tailored to my interests and personal experience. Challenges, as with any residency what to bring? Practical advice, go deep as you like! Great food, friendly small city. Costs and gains are entirely related to the kind of work when I exited. Travel was expensive, however the cost of the city, meals, etc., was more than reasonable.

Arquetopia Residency seems to be best suited for those who are interested in a research-based, material/technique specific, site and culture specific, and academic experience. I joined this residency specifically to learn a technique in weaving that is similar to a weaving technique practiced in the Philippines, where my family is from. This was a part of material research I was investigating and continue to investigate. I was also drawn to the residency for the rigorous academic readings and critical discourse provided re: themes of colonization and art. This residency fulfilled very specific research and technical development desired in my personal practice. For the weaving residency, I was paired with a master weaver who I learned immensely from. We had a small group of 4 artists, and we all became close and traveled to Cusco together, but this is not a big “networking” residency since there are no art galleries or contemporary art spaces (except for spaces that are artist-owned and run and only exhibit and sell their own work) in the town that the residency is located. It is a great space for specific, culture-based research. It is quite expensive of a residency (including travel to the residency) and there is no financial aid, but daily cleaning and meals (except for the weekend) are provided which really help to give residents more freedom with their time. The price also covers the materials and mentorship for the specific technical residency I applied for: Andean weaving. I was provided a backstrap loom and thread for 2 weavings. I ended up purchasing more thread to continue a 3rd weaving at home. One thing I was surprised by was the absence of basic tools. Be sure to bring tools that you absolutely need for your own practice. There are no facilities that would support big personal projects if you do not provide tools for yourself. The work space is also quite small and shared with no real walls — it’s a tented space outdoors. I personally loved my experience with Arquetopia and I continue to benefit and learn from readings shared as well as continued dialogue with Francisco, who is the director of the program.

I really loved my time there! Emily and Jon were super pleasant to work with and very helpful. I recommend this residency for any emerging artists. There was no fee for attending. I don’t believe there is a stipend, but I do think they now offer housing, which is a plus. Because I also had two jobs outside of the residency, I did find it a challenge to balance all three. However, this residency is great if you need a studio space and want the opportunity to engage with a community. Everything is sort of on the artist to get the work going and make an impact, but everyone at Sulfur is there to support you as needed! It’s a great step to help you learn how to work independently in a creative career.

The staff has weekly meetings to discuss the assigned reading, it was a process of deconstruction for me. The Natural Pigments professor is a master and has much knowledge in the field, she taught me in depth different techniques. I'm very grateful for my stay in Puebla, MX.

The residency is geared towards networking, so not to produce new work. Though you can, and join a group show at the end of the residency. In terms of curators to meet, wish there was more access to local curators or curators with similar interests. Overall, it’s a good starting point to get acquainted with the art scene in New York.