I had an excellent experience at this residency and would recommend it to any emerging artists who need focused time to develop a project or body of work with curatorial support. The residency really allowed me to hone in on ideas and start developing a more cohesive practice. The curatorial support was essential in having a sounding board with the right questions to challenge me and push my work forward. Overall it was an excellent experience that I am really grateful for. If you want to really integrate yourself in the community, this will have to be something that you put effort in yourself, but there are definitely opportunities to connect with the community and previous residents if you reach out. I would recommend the program most to those who need focused time at a critical point in their practice.
(Photo Credit: Toni Hafkenscheid)
The main benefit from this residency is the time and space it provides to focus on developing your project in a quiet and amazingly beautiful environment. The fact that is a small group of residents, makes it easier to dedicate time to connect with others without sacrificing your individual space. I gained much from the feedback and dialogues with other fellows. At the same time the environment was perfect to dive into my thoughts and work.
Fountainhead residency is really special because of the deep connections and knowledge Kathryn has to the Miami Art world. My tip is to get up early so you can go to the beach.
Benefits This residency provided me with several benefits: Expanding Networks: I built connections with fellow resident artists and the local art community, which has opened up future collaboration opportunities.
Focused Creative Environment: Being away from my usual environment allowed me to concentrate on my work, leading to the production of more pieces than usual.
Challenges During the residency, I faced several challenges: Cultural and Language Barriers: Since the residency was overseas, adapting to language and cultural differences was difficult.
Budget Constraints: Limited funding was provided, making it challenging to cover material and living expenses. This highlighted the importance of creating a detailed budget and preparing necessary supplies in advance. Practical Advice Be Prepared: Before starting the residency, thoroughly research the local area and make a list of necessary items to ensure a smooth experience.
Set Goals: Clearly define what you want to achieve during the residency and work systematically towards those goals.
Costs vs. Gains Although participating in this residency required an investment of time, money, and effort, I feel that the returns were worthwhile. The expanded network and new techniques acquired will significantly benefit my future career.
It is a public relations opportunity, not really a residency, especially since artists with gallery representation or sellable work are highly encouraged to attend. Making new work was difficult because most of your time is dedicated to visiting collectors. For some artists without connections that might be very helpful.
This residency is highly recommended for those who would like to experiment with sounds or looking for new ways of creating sounds. This is not something about traditional instruments - the program is very useful for researching and trying out new methods. They have tons of components for DIY, special mics; such as geo and hydrophones. The location is perfectly inspiring: a small town near the sea in a beautiful and calm environment - which is famous from Bang&Olufsen! My practical advice would be to create a guideline to follow, it is easy to lost in all these opportunities.
HIAP provided me residency at Nelinarkka Museo where I've got to implement an important project for my career. I work on a field of performance art, and I no need specific studio for working, but it was enough space for me to feel good and creative there.
I met great artists and the staffs were also so supportive. The time staying in Finland was so inspiring too.
The people working at HIAP are wonderful. The living space is great, the studios are big and bright and in connection to the living apartment, depending on what you work with, the studio could be great, but for me as a sculptor it was dysfunctional with no ventilation. Unfortunately there was really no other space to work in either. No real workshop, and few tools. The location of the residency on an island in the archipelago of Helsinki is beautiful and inspiring, but off course also a bit challenging when it comes to getting material. My overall experience of my residency at HIAP is still great! The community created amongst the residents and HIAP crew was inspiring and developing for my work. HIAP are part of communal saunas, with sauna hours 4 times a week and the meeting happening in the saunas are truly special! I also want to give a huge cred to how great the residency is to welcome mothers and families. As a mother I had to bring my two year old and my husband, upon mentioning my family I got a pdf document on “good to know information to parents” with everything from things to do, how to get around and how to apply for child care (witch we actually got in the island), and for my husband they where prepared to fix an extra studio, which we in the end felt we did not need. It was great to feel so supported as a family of artists! I would recommend anyone applying for HIAP and specially familys.
The benefits of this residency are the freedom you are given to come and go as you please, the openness to ideas and questions when discussing your practice and the continued support that the gallery offers after your time as a resident is finished. To get the most from this residency I would say that it helps if you are self driven and materially independent. Having lots of spare time to make the most of the studio space is always good of course. A residency where you get 6-8 months studio space for free, as well as a possible two exhibitions in the heart of Notting Hill for no external cost, I’d say, has an undoubtedly positive investment to reward ratio.
amazing spaces for free for a year.
I look back at my month at latitude with such fondness, remembering nostalgic bus rides to a sun filled, climate controlled oasis. I was constantly invited to be in the space, experiment, and expand. The generous staff provided extensive expert knowledge on top of friendly kindness. I was able to shed feelings of reticence and intimidation when faced with the printing process and now feel empowered to integrate these techniques into my practice. As a media artist and sculptor, I was finally able to take digital renderings - otherwise bound behind a screen - into physical mediums. I experimented with different paper types, printing on textile, and image transfer, producing material that I have subsequently remixed into different shown work. Few residencies offer the level of care around access and accommodations as Latitude. As a disabled artist, I felt unburdened by the need to advocate for my needs while deeply cared for and considered. Anytime I visit Chicago, I plan to stop in and do some printing! Benefits included imparting new skills, community connections, opportunities for studio visits, and an ongoing professional relationship. The residency is generous with the free and low cost printing resources and ink stipend so I left with a lot of high quality printed material. The challenge is that housing is not provided, so I had to find a sublet, but this is relatively affordable and easy to find in Chicago. Practical advice would include having some files ready to print right away. Less time preparing files means more time printing and experimenting. Costs were greatly outweighed by the benefits: because the residency is an entire month and mostly autonomously structured, I was still able to work my remote job, making the visit more affordable. The amount of material I was able to print for free would have cost hundreds or thousands of dollars.
Benefits: The amount of space is very generous with most of the studios. The program is highly respected and the open studios event attracts an impressive number of attendees. Challenges: The studios are not air-conditioned and can get quite hot in the summer months. Some studios also do not have window coverings, so you may need to invest in blinds or some other way to block out the intense sunlight in the afternoons. DUMBO is a very noisy neighborhood, not only from the trains traveling over the bridge, but the constant construction happening on the streets below. The program also has a lot of rules, largely contingent on the property management's involvement and building policies.
Practical Advice: Don't underestimate the emphasis placed on the open studios event, which is handled almost like an exhibition. You will be assigned to a few organizing committees to plan the event. This can feel like a lot to take on, but you can use it to connect with your fellow studio mates. Some artists may also have shows planned at the same time as the event, but I would recommend doing whatever you can to have your best work on view at open studios to take advantage of the exposure.
Cost vs. Gains: The studio is free, so the only cost is the logistical effort involved (subletting current studio, moving from out of town). If your goal is to really connect to the NYC art community it is worth it. There is also no application fee, so it's easy to apply every year.
I was very fortunate to be award this residency with a cohort that was really lovely. This is a co working residency in West London so I would take that in. account.The organisation is incredibly helpful I did this residency during Covid times and they were very accommodating. I only have good things to say about this program.
The spaces provided are a dream and the location is very special, highly recommend for those with practices related to ecologies, territory/land, identity, biology, sustainability,
Great apartment, shared with other interesting co-residents, made contact with people I will for sure see again and stay in touch with. Studio facilities are amazing, and the walk between the studio and the apartment is really nice (both would require some adjustments for accessibility for people with limited mobility). Equipment, spaces, staff: all was amazing. Very productive and insightful residency.
Great feedback and supervision by very skilled and engaged peeps at SAL, less inspirational surrounding community that mostly seemed detached from what’s happening at SAL.
Benefits: the residency program provides an excellent opportunity to be connected with the natural environment around the house. We can be free to walk, draw and paint directly in a wonderful landscape. The mentors provide their help and opinions, but let the artists free to create whatever we are into. The spaces we have to read and draw aren't so comfortable. During the day it's good, but when there's no sunlight, the artificial illumination is not enough. The tables and chairs could be more adequate too. But in the end, the full experience is so overwhelming, that it worth the pity to have some backache.
The residency was very rewarding. Their framework is to provide an environment for research and engagement with the location and community. Their proposal does not encompass studios and equipment, materials or funds for creating artwork on site. This residency is perfect for artists interested in the relation of their research and the environment, history, community, etcetera. Its a unique place and experience. The artists who created Mirante Xique-xique help every artist integrate each individual research to their own conception of the residency in a very organic way.
Super interesting place with very nice people! Sound Art Lab in Struer has a lot to offer when it comes to workshops and knowledge. Nice accomondation too.